MYTALE'S ART MOQUETTES
DRAWING BY PATRIZIA MARROCCO, ARTIST
“Remember how to rewind a tape but stopping, among many, some of the brief-eternal moments and atmospheres of a Rome in the time... we entrust this heritage to a metaphysical dimension, to the MyTALE creative academy hotel”
ART CONCEPT
A tale of monuments, architectural works, decorations, frescoes, mosaics and paintings is revealed
under our feet.
Printed on ART MOQUETTES, the drawings by the artist Patrizia Marrocco, exclusive to MyTALE, are the leitmotif of the art concept: It is a route through the three floors and, with the addition of a refined color palette, translates the stay into an emotional experience:
atmospheres captured, interpreted, regenerated on the timeline.
Each floor is dedicated to a historical era of Rome, each Suite tells a segment, enhances a theme prince to live an experience that introduces us to its eternal history.
ART MOQUETTES GALLERY / HYPOSTASIS / FIRST FLOOR
The Imperial Frieze leads to the Suites.
From the cubicles of the Domus of Cupid and Psyche a kiss is perpetuated.
Augustus’s wife, Livia Drusilla, from the first century AD, from the underground nymphaeum garden room to the villa. Same atmosphere as then.
Rome of light.
The Imperial Frieze leads to the Suites.
From the cubicles of the Domus of Cupid and Psyche a kiss is perpetuated.
Augustus’s wife, Livia Drusilla, from the first century AD, from the underground nymphaeum garden room to the villa. Same atmosphere as then.
Rome of light.
ART MOQUETTES GALLERY / BE-FOR / SECOND FLOOR
The Semi-Gods Ceiling leads to the Suites.
Michelangelo Buonarroti knew that an ellipsis could contain a star.
To admire the stars with Bramante.
Today as yesterday, in the “modern manner”, the divine Raphael.
The Semi-Gods Ceiling leads to the Suites.
Michelangelo Buonarroti knew that an ellipsis could contain a star.
To admire the stars with Bramante.
Today as yesterday, in the “modern manner”, the divine Raphael.
ART MOQUETTES GALLERY / iREMIND / THIRD FLOOR
[ in dialogue with Claudio Riefoli, artist ]
The Cosmo Man and the City Man leads to the Suites.
Con-tem-po-ra-ry.
Architecture and painting in dialogue.
So Polimnia Muse knew of a place where she and the others, surrounded by steam turbines and boilers and engines, would enjoy the day and night, that posing, at present, of a renewed light by the large art nouveau windows, so, on their choral faces, together.
To be light it is necessary to become matter Anti-architecture as anti-painting as anti-figuration.. Free the form, the sign of light, weave a singular plural feminine language. Women of light, today.
[ in dialogue with Claudio Riefoli, artist ]
The Cosmo Man and the City Man leads to the Suites.
Con-tem-po-ra-ry.
Architecture and painting in dialogue.
So Polimnia Muse knew of a place where she and the others, surrounded by steam turbines and boilers and engines, would enjoy the day and night, that posing, at present, of a renewed light by the large art nouveau windows, so, on their choral faces, together.
To be light it is necessary to become matter Anti-architecture as anti-painting as anti-figuration.. Free the form, the sign of light, weave a singular plural feminine language. Women of light, today.
